Painting Description: No 16

Painting Description: No 16

Modernity has excluded criticism as a guiding reference for reading, analyzing and interpreting creativity. This resulted from the requirements of modern art that slipped from all limitations as much as possible. Such spectacle was amplified by the progress of modern experiences that implicitly required artwork to be a document rather than documentation of history. Such art is typically oriented in favor of acquisition through the spatiotemporal tourism that enabled Shubbar to transfer the facts of the battle from the desert and the battering rams to the soccer field, particularly close to the featured flag at the corner. There you may watch some painful strikes carried out, including the vengeance from player number 10, who became an icon for the most renowned players among the hysteric flocks. Eventually, those are the ones defeated by Antara, as he was beheading their icons in honor of Abla.

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