Painting Description: No 20

Painting Description: No 20

The Visual Formation for Beginners
This chronic pain penetrates through professionality to overturn the symposium of tragedy.
Tragedy marks a civilization that we find no justification for calling it humane; that is because it is a journey of associated pain, as epistemologists claim that tragedy is the most important part of civilization. All situations of happiness, joy and comedy disappear in its dust. The insistence of the foregrounded memory is a compound of subject, verb and object, in a way that everyone is a witness providing testimonies about others, filling the space of communication with untruthful voices, including the daring art that belongs to the unspoken incidents across history.
This masterpiece is an icon of pragmaticism, a perseverance of a memory and a history of a setting that skillfully addresses the audience. It is an artwork that enables everyone to reproduce it in a way that revives their claims; It presents a guideline for reading the unseen aesthetically. It evokes the subconscious of entire generations that lived before and after the events; Moreover, such events are exquisitely presented by Shubbar through graphics, in an uprising against repetition and familiarity. So, the painter makes his way, like his predecessors, to the unbridled free distribution beyond the rules of logic, expectation and coloring. Hence, Shubbar summons the practically irrational objects such as planes, artwork, traffic lights, and the name of an icon group, as well as the documentation of death associated with a major event. This is a deliberate message by Shubbar to announce that the dead character was saved from a human catastrophe that will not reiterate, and here comes the role of art in recalling at some point a virtual image of a perished character, whose death was coupled with the event.

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