Painting Description: No 6

Painting Description: No 6

Long after waiting, the artist reveals the identity of the internal struggle of Antarah al-Absi, while giving himself the privilege to replace the foregrounded leading figure with a composite distinguished personality able to play through unknown times, times of art…
This is an artwork, in which employment of the marginalized aspect is growing, and the annexed details have become fiercely competitive for the visual positions in the painting, conforming with modernity requirements. It was fostered through the creation of virtual illusory levels that break the painting surface into two pieces, the facade and the background; hence, simplified ornate horses integrate, giving a little break here and are separated by a visual embellished wall... The model seated and the accessories included cleverly trigger the memory of entire generations of artists, who protested against the presence of these curtains as a background of the model before Abla employed them in this way. Tackling the nature of the painting reveals a twist from the hair strands to the Jeans pants... It is capable of spreading the Shubbarialistic pleasure from a floating Atelier across aesthetic time.

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